![]() There have been several further attempts to refine the definition of sword and sorcery. This accurately describes the points of culture-level and supernatural element and also immediately distinguishes it from the cloak-and-sword (historical adventure) story – and (quite incidentally) from the cloak-and-dagger (international espionage) story too! I feel more certain than ever that this field should be called the sword-and-sorcery story. Moorcock had asked for a label for the kind of fantasy adventures Howard wrote. Although sword and sorcery as a distinct subgenre emerged in the 1930s with the work of RE Howard, creator of anti-hero Conan the Barbarian, the term was coined in 1961 by Fritz Leiber in response to an open letter by fellow author Michael Moorcock. The origins of sword and sorcery can be traced back to literary modes and genres such as the mythological tale, the epic poem, the historical novel and the pulp short story. While GoT is usually defined as epic fantasy, a subgenre characterised by the epic tone and stakes of the story, The Witcher could be considered an example of sword and sorcery. While most critics have concluded that the significant stylistic, narrative and thematic differences between the shows cannot warrant a systematic comparison, fewer have attempted to examine the different positions they occupy within the fantasy genre. The discussion of the Netflix fantasy series The Witcher has largely revolved around comparisons with HBO’s Game of Thrones, leading reviewers to speculate about the show’s potential to fill the void left by the most successful fantasy series in the history of television. ![]()
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